{"id":7740,"date":"2023-07-20T17:26:10","date_gmt":"2023-07-20T17:26:10","guid":{"rendered":"https:\/\/www.maledictis.com\/?p=7740"},"modified":"2024-12-18T18:14:13","modified_gmt":"2024-12-18T18:14:13","slug":"lappeso","status":"publish","type":"post","link":"https:\/\/www.maledictis.com\/es\/lappeso\/","title":{"rendered":"MARCELO EXPOSITO | L\u00b4Appeso"},"content":{"rendered":"
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L\u2019Appeso \/ El Colgado \/ The Hanged Man<\/h3>

ES<\/p>

L\u2019Appeso (El Colgado) es la primera obra sonora del artista Marcelo Exp\u00f3sito que ve la luz en soporte de disco de vinilo, editado en formato de libro-disco por el sello G3\u00b73G de Barcelona en su legendaria serie del Tarot. Inspirado por Nanni Balestrini y Luigi Nono, este trabajo de Marcelo Exp\u00f3sito trata de la naturalizaci\u00f3n actual de las violencias fascistas y su otra cara, la dificultad de hacerse cargo de las insurrecciones italianas y europeas de las d\u00e9cadas de 1960-1970. Su intenci\u00f3n es ilustrar la actual crisis global del neoliberalismo y las nuevas emergencias pol\u00edticas que se le oponen.<\/p>

Realizado a partir de grabaciones de campo, sonidos electr\u00f3nicos y voces, para esta publicaci\u00f3n se ha contado con la colaboraci\u00f3n del fil\u00f3sofo Franco Bifo Berardi, el curador Marco Scotini, el compositor Hugo G\u00f3mez-Chao, el m\u00fasico Chinowski Garachana y las voces de mujeres activistas vinculadas a organizaciones sociales o movimientos feministas, antirracistas, por la justicia clim\u00e1tica, por el derecho a la ciudad o en defensa del territorio en la ciudad de Roma.<\/p>

\u201cMarcelo Exp\u00f3sito reactiva m\u00e9todos de producci\u00f3n como el cut-up de Nanni Balestrini y la t\u00e9cnica del desdoblamiento en fonemas de Luigi Nono\u2026 Esta especie de teatro de denuncia y resistencia (donde act\u00faan los materiales) se aproxima a esas dos figuras extraordinarias e irreductibles de la historia cultural italiana reciente que han practicado la extroversi\u00f3n civil y la militancia a pie de calle como algo inseparable del trabajo art\u00edstico\u201d (Marco Scotini).<\/p>

Puedes encontrar m\u00e1s utilizando este enlace.<\/a><\/p>

EN<\/p>

L’Appeso (The Hanged Man) is the first sound work by the artist Marcelo Exp\u00f3sito to be released on vinyl, published in book-disc format by the Barcelona label G3\u00b73G in its legendary Tarot series. Inspired by Nanni Balestrini and Luigi Nono this work is about the current naturalisation of fascist violence and its other side, the difficulty of dealing with the Italian and European insurrections of the 1960s and 1970s. It is intended to illustrate the current global crisis of neoliberalism and the new political emergencies that oppose it.<\/p>

Made from field recordings, electronic sounds and voices, for this publication we have had the collaboration of the philosopher Franco Bifo Berardi, the curator Marco Scotini, the composer Hugo G\u00f3mez-Chao, the musician Chinowski Garachana and the voices of women activists linked to social organizations or movements\u2014feminist, anti-racist, for climate justice, for the right to the city or in defense of the territory\u2014active in the city of Rome.<\/p>

\u201cMarcelo Exp\u00f3sito reactivates production methodologies such as Nanni Balestrini\u2019s use of cut-up and Luigi Nono\u2019s phoneme splitting technique\u2026 This sort of theatre of denunciation and resistance (where the materials themselves act) is a reference to this two extraordinary and relentless figures of recent Italian cultural history who have practised civil commitment and militancy in the field as something inseparable from artistic work\u201d (Marco Scotini).
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You can find more info using this link.<\/a><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"

L\u2019Appeso \/ El Colgado \/ The Hanged Man ES L\u2019Appeso (El Colgado) es la primera obra sonora del artista Marcelo […]<\/p>\n","protected":false},"author":1,"featured_media":7741,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[43,42],"tags":[],"class_list":["post-7740","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-mastering","category-mixing"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.maledictis.com\/es\/wp-json\/wp\/v2\/posts\/7740","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.maledictis.com\/es\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.maledictis.com\/es\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.maledictis.com\/es\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.maledictis.com\/es\/wp-json\/wp\/v2\/comments?post=7740"}],"version-history":[{"count":7,"href":"https:\/\/www.maledictis.com\/es\/wp-json\/wp\/v2\/posts\/7740\/revisions"}],"predecessor-version":[{"id":7748,"href":"https:\/\/www.maledictis.com\/es\/wp-json\/wp\/v2\/posts\/7740\/revisions\/7748"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.maledictis.com\/es\/wp-json\/wp\/v2\/media\/7741"}],"wp:attachment":[{"href":"https:\/\/www.maledictis.com\/es\/wp-json\/wp\/v2\/media?parent=7740"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.maledictis.com\/es\/wp-json\/wp\/v2\/categories?post=7740"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.maledictis.com\/es\/wp-json\/wp\/v2\/tags?post=7740"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}